German voice over studio
I record with 24 bit, 48kHz (96kHz if requested)
Audio for your German voice over will be fully mastered which includes noise removal, compression, equalization etc., unless you tell me you don’t need it


I record with 24 bit, 48kHz (96kHz if requested)
Audio for your German voice over will be fully mastered which includes noise removal, compression, equalization etc., unless you tell me you don’t need it
ProTools & Plugins

ProTools is the industry-standard audio production software for highly professional audio quality.
Microphone Neumann U87
The Neumann U 87 Ai – voted as THE best microphone.
The U87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.
The Neumann U 87 Ai – voted as THE best microphone.

The U87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.
SPL Frontliner

The SPL frontliner flagship channel strip. It combines Preamp, De-Esser, Compressor, EQ and Tube Saturation for a fully featured recording channel.
- Discrete transistors/tube hybrid preamplifier to combine the advantages – high dynamic range and low noise operation of semiconductors with the musical qualities of tube sounds (appealing top end, beautiful spatial impression).
- 250 volt tube circuits in the preamplifier and for tube saturation stages.
- High-grade operational amplifiers from Burr-Brown at critical positions.
- The De-Esser applies SPL’s method of phase cancellation for reducing sibilants. This innovative approach works much more neutrally than traditional compression methods – a unique method for unobtrusive results and extremely fast operation.
- The compressor is operated by SPL’s double VCA drive circuitry. A differential stage eliminates sideeffects and the half load per VCA dramatically reduces THD.
- The operational amplifiers for the compressor circuitry meet military specifications. Therefore, the regulating voltages are extremely precise – a precondition for high signal processing quality.
- Selected condensers for the EQ filters with pleasant sound characteristics. Especially with vocals, amplified frequencies do not sound too bright, and, on the other hand, reductions can tame harsh sounds without sounding dull.
- Central star ground wiring scheme minimizes influences that could affect the ground paths. The audio ground is separated from the ground of the remaining equipment. This leads, in the truest sense of the word ”clean” to considerably improved tonal quality.
- The power supply is built around two toroidal transformers, one for the audio voltages and one for the other supply voltages (tube heating, LEDs, micro controller etc.) Mutual interferences are excluded and lavishly over-dimensioned capacities ensure absolutely stable supplies for all audio circuitries.
Remote Recording & Live Direction
No matter where you are in the world, I can deliver broadcast-quality German voice over recordings directly from my professional studio. With multiple remote recording options, we can work together in real time — just as if you were sitting in the studio with me.
Source Connect
Industry-standard for real-time studio connections with broadcast-quality audio.
Zoom / Teams / Skype
Simple and accessible for live direction during recording sessions.
ipDTL / cleanfeed
Browser-based, low-latency solutions for professional remote sessions.
Any Platform You Prefer
I am flexible and happy to work with whatever software your team uses.
Whether you are a recording studio directing a session, an agency producing a commercial, or a company creating e-learning content — I make remote collaboration seamless and efficient.
Recording Specifications & Quality Standards
Every recording from my studio meets broadcast and post-production standards. Here is what you can expect:
- Sample rate: 48 kHz standard (96 kHz on request)
- Bit depth: 24-bit WAV for maximum dynamic range
- Noise floor: Below –60 dB — broadcast-compliant silence
- Delivery formats: WAV, MP3, AIFF, FLAC, or any custom format you need
- Mastering: Noise removal, compression, EQ, and normalization included unless you prefer raw audio
Two Studios — Maximum Reliability
I operate not just one, but two fully equipped professional recording studios. Both are acoustically treated to broadcast standards and equipped with high-end microphones and audio interfaces.
No downtime, no missed deadlines, no excuses. If one studio has a technical issue, I simply switch to the other. This redundancy means your project stays on track, always.
Frequently Asked Questions About My Studio
Can I listen in during the recording session?
Absolutely. Via Source Connect, Zoom, or any other platform, you can direct the session in real time, give feedback, and request changes on the spot — no matter where you are located.
What types of projects do you record?
Commercials, corporate narration, e-learning modules, audiobooks, documentaries, IVR and phone systems, video games, app voice interfaces, and more. My studio handles any voice over project, from a 15-second radio spot to a multi-hour audiobook.
How long does a typical recording take?
A 60-second commercial script usually takes about 30 minutes including direction and alternate takes. Longer projects like e-learning or audiobooks are scheduled in dedicated sessions. I always provide a realistic timeline before we start.
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